02 July 2023

Cairncastle Ulster Scots Bluegrass Workshop and Concert, 28 July 2023

The Bluestack Mountain Boys (Dublin)
The Knotty Pine String Band (Omagh)

Thanks to Adrian Rolston of the Cairncastle Ulster Scots organisation for news of their Cross-Community Festival (see programme, right), to be held in the Halfway House Hotel, 352 Coast Road, Ballygally, Larne, Co. Antrim, on 27-30 July.

In particular, the bluegrass section of the Festival will begin at 2.00 p.m. on Friday 28 July with an admission-free workshop on the history of bluegrass music, and continue from 7.15 p.m. with an evening concert featuring Cormac Crummey (banjo), the Knotty Pine String Band (Omagh), and the Bluestack Mountain Boys (Dublin). Admission is £10. Further information will be posted on the hotel Facebook, and can also be got by phone (07889659165).

© Richard Hawkins

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06 April 2021

A new era for bluegrass in Brazil: the Irish connection


Thanks to César Benzoni (right) for this news, all the way from Galway city, where as well as playing mandolin and guitar in the Rocky River Bluegrass Show, he is a sound engineer and video maker, operating Yodel Recording Services (see the BIB for 2 Sept. 2020). César comes originally from some way further west: Brazil, where he ran the São Paulo Bluegrass Music Association in succession to its founder, Erio Meili. César writes:

I'm touching bases to let you know that I'm in the process of converting São Paulo Bluegrass Music Association to Brazilian Bluegrass Music Association. It is a huge country, and a lot of new artists that are willing to learn bluegrass there don't feel represented for something aiming only for São Paulo.

I'm working on the brand new website, where we'll have news, bluegrass history, interviews, lessons, teachers, and so on. I want it to be a big resource for people getting into the genre. On 21 April it's gonna be ten years since Erio passed, that's the day I will release the website, honouring his memory.

Besides that, social media is huge there (more than I can follow, actually), so I'm making an Instagram page to help promote it as well. This way we can spread bluegrass a bit more and help to bring a community together. I was impressed by the number of new people learning the banjo or mandolin there.


BIB editor's note: Erio Meili was an admirable man, full of good humour and goodwill, and before his regrettably early death he kept Brazil represented at every annual IBMA World of Bluegrass. Everyone who knew him will be glad that his memory is being honoured in this way. César's new logo for the new association is at the head of this post.

© Richard Hawkins

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02 May 2020

Oldtime Central May newsletter

IN their latest e-newsletter the editors of Oldtime Central (OTC) announce that they are back on track after the dislocations of the pandemic crisis prevented the issue of updates during April. Apart from this weekend's online old-time banjo festival (see the BIB for 30 April), new items published on OTC since the last newsletter are:


The OTC editors add:

We have also felt so proud to see how members of the old-time music community have been building each other up during this crisis, through giving words of encouragement and affirmation, hosting and participating in online festivals and workshops, donating to online concerts, and myriad other displays of support. We are continuing to look for ways to help facilitate that support and sense of solidarity. We are all in this together!

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13 February 2020

Cork Sacred Harp celebrates a decade with 10th Annual Convention, 29 Feb.-1 Mar. 2020

Thanks to Laurie Skelton of Cork Sacred Harp for this logo and press release (a fine introduction to Sacred Harp singing for those who are new to it):

Cork Sacred Harp will host the tenth annual Ireland Sacred Harp Singing Convention on 29 February through 1 March 2020 at St Maries of the Isle on Bishop St. in Cork city.

The Sacred Harp Singers of Cork have been meeting every week to sing melodies from the Sacred Harp for over a decade. Drop by the Unitarian Church on Princes Street any Thursday at 7.00 p.m. and, as you walk through the front door, you’ll be met with a booming chorus of voices singing a cappella 'shape-note' harmonies. Once inside, however, you may be surprised to find the number of people singing rarely matches the impressive sound heard from the street. In the centre of the room, somewhere between seven and fifteen people are seated in a small cluster of chairs arranged in a square formation. Here, the community is small and the voices are big.

Sacred Harp music isn’t your typical choral music and Sacred Harp singers aren’t your typical choral singers. The music itself uses a system of 'shape notes' — comprised of squares, triangles, circles, and diamonds—as an extra visual aid for reading music. When singing a song from the book, singers first 'sing the shapes' on the page as syllables before singing the song with the words. Singers are typically — though not required to be —untrained, and sing in their full voice. Some come to singing through generations of family tradition, while others simply fall into it.

Over the past ten years, the group gathering to sing every week in Cork has fluctuated, occasionally growing and occasionally shrinking. Sometimes twenty people show up. Sometimes four. But the spirit has never wavered and the singing has never stopped. And, no matter how small the group becomes, their numbers swell exponentially each year in March as hundreds of singers from all over the world show up to Cork for the annual Ireland Sacred Harp Convention — come rain or sleet or snow.

The Ireland Sacred Harp Convention is one of the largest in Europe and draws quite the crowd of shape-note singers from all across Europe and North America. The sound is impressive and the atmosphere is both warm and welcoming. Singing along is highly encouraged. To get a sense of what the music sounds like, you can find recordings from Cork Sacred Harp on YouTube and Bandcamp. For those interested in participating, all voices are welcome and no experience is necessary. More details are available on Facebook, on Meetup, and at corksacredharp.com.

Thurs. 27 Feb. 2020: 19.00–21.00, weekly singing in the Unitarian, Princes St., Cork
Fri. 28 Feb. 2020: 19.00–21.00, Singing School with Sadhbh O'Flynn in St Maries of the Isle, Bishop St., Cork
Sat. 29 Feb.-Sun. 1 Mar. 2020: 10.30–16.00, Tenth Ireland Convention in St Maries of the Isle, Bishop St., Cork (09.30-10.00; registration on both days)

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19 August 2019

Old Time Central - a pile of good new stuff

After a whirlwind tour in the Southern states, the editors of Old Time Central are back on schedule with twice-monthly newsletters, and the latest includes links (as below) to the new material added to the site since the last newsletter:

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19 March 2019

Mountain music - with real mountains

Thanks to the FOAOTMAD news blog for drawing attention to the fourth annual Old Time Weekend in the Alps, to be held in Elm, Switzerland, on 20-22 September 2019. Oldtimemusic.ch announce:

Do you love playing old-time music with friends? Do you enjoy playing tunes in the beauty of nature? Are you up for an adventure? Then come to the fourth annual Old-Time Weekend in the Alps, happening this fall in Switzerland!

Join us [...] for a gathering of old-time musicians from around Europe. We have the pleasure of welcoming Jane Rothfield as our tutor this year. You’re sure to make some international friends as you learn new tunes and techniques in the majestic setting of the Swiss Alps. For more information and pictures and to register, check out https.oldtimemusic.ch.
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And checking that link led us to the website of Oldtime Central, set up by Ben Smith last year as

a central, online commons that supports local oldtime communities by providing a wide range of content, archives, news, forums, links, and opportunities to connect.

The goodies available include free video fiddle lessons from Craig Judelman (USA), who toured Ireland in 2010 with the Dust Busters and last autumn with his own Interstate Express. Well worth exploring.

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